In the backlands of Minas Gerais, a stranger from the imperial city discovers a mysterious bar that could change the course of his journey.

I worked as 1st Camera Assistant

One weekend, Teresa and Geovana deal with their longing.

I acted as Director of a sequence of scenes, Director of Photography,

Co-Producer, Finisher.

At Christmas, a neighbor tries to take advantage of Jurandir;

I worked as a Lighting Technician and Photography Assistant;

The project aimed to adapt one or more scenes from Brazilian films into animation, answering the question: "What is Brazil?" Reflecting on this proposal, Brazilian history, and contemporary society, we arrived at the idea of blending two films: O Bandido da Luz Vermelha and Feliz Ano Velho.

In Feliz Ano Velho, the protagonist is hospitalized and, after receiving morphine, begins to hallucinate about his father, who had been killed by the dictatorship. We intertwined elements of this hallucination with the final scene of O Bandido da Luz Vermelha, where the Third World is under an alien attack, and people dance amidst the chaos.

Additionally, we incorporated the opening titles of O Bandido da Luz Vermelha, which include the phrase "The characters do not belong to the world, but to the Third World", referencing the "vira-lata syndrome"—the inferiority complex that Latin America (and consequently Brazil) often feels in relation to so-called "First World" countries. Finally, the photo montages at the end of the film highlight the socio-political chaos of Brazil.

I worked as Co-Director, Director of Photography, Production Assistant, Art Assistant, and Editor.